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Chapter 14
DOI: 10.4018/978-1-5225-3637-6.ch014
ABSTRACT
This chapter presents the debate on the conceptual framework for the virtual soundwalk as a tool for
soundscape assessment for use within urban design tasks and the management of urban open spaces.
A hybrid model between a soundwalk in situ and a listening test in laboratory conditions is needed to
gain benefts from both methods by simulating links between spatial relations and soundscape changes in
actual urban open spaces. This link is vital due to the widely accepted architectural theory background
on the urban open space experience. A prototype of a virtual soundwalk tool is described. It was used
by the authors during laboratory research conducted in 2014 and 2015 and developed further in 2017.
The prototype was based on partial virtual reality reconstruction of visual and aural feld recordings.
Its potential use is illustrated using a case study of the waterfront promenade in the historical centre of
Zadar, Croatia. The future prospects for the method described are debated according to the most recent
developments within the feld of soundscape research.
INTRODUCTION
Urban open spaces are always experienced in context. Whether a set of open spaces, or a series of interiors
and open spaces, the inescapable fact of the urban pedestrian experience when moving from one point
to another is that each space is experienced through a certain spatial sequence. It is like music, where
each note or chord has a relative function within the tonality of the entire piece, alongside its absolute
characteristics, such as pitch, or frequency. Each note and chord can be perceived quite differently, de-
pending on what the listener hears immediately before, or the sounds that follow.
Towards a Virtual Soundwalk
Tin Oberman
University of Zagreb, Croatia
Bojana Bojanić Obad Šćitaroci
University of Zagreb, Croatia
Kristian Jambrošić
University of Zagreb, Croatia