Please cite this article in press as: M. Goleˇ z, et al., Laboratory-prepared lime-gypsum mixtures based on the know-how of traditional
technology, Journal of Cultural Heritage (2017), https://doi.org/10.1016/j.culher.2018.02.011
ARTICLE IN PRESS
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Original article
Laboratory-prepared lime-gypsum mixtures based on the know-how
of traditional technology
Mateja Goleˇ z
a,∗
,
ˇ
Zeljko Pogaˇ cnik
b
, Ana Mladenovi ´ c
a
a
Slovenian National Building and Civil Engineering Institute, Dimiˇ ceva 12, 1000 Ljubljana, Slovenia
b
Georudeko, d.o.o, Anhovo 1, 5210 Deskle, Slovenia
a r t i c l e i n f o
Article history:
Received 11 September 2017
Accepted 19 February 2018
Available online xxx
Keywords:
Gypsum
Quicklime
Suspension
Facade
Cultural heritage
a b s t r a c t
Stratigraphically, the oldest layer of paint which was applied to the facade walls of the Novo Celje
Baroque Mansion contains substantial amounts of gypsum, as well as calcium carbonate and iron pig-
ment. Microstructural, isotopic, and thermal analyses of facade samples were performed in order to
exclude the possibility of an anthropogenic source of gypsum crystallisation, and to prove that natural
gypsum was used to prepare the original lime-gypsum suspension. This is because, in the exothermic
process of quicklime hydration, natural gypsum is converted into ß-hemihydrate and then, after cooling
of the suspension, this compound is converted back into gypsum. The technology which was used for
the laboratory-level preparation of the investigated lime-gypsum suspensions is simple, efficient, and
sustainable, and could thus be used instead of the more energy-consuming dehydration processes which
are presently used in the industrial production of gypsum.
© 2018 Elsevier Masson SAS. All rights reserved.
1. Research aims
With regard to the technical issues which are involved in the
renovation of historical materials, the presence of gypsum crys-
tals is a phenomenon which is frequently attributed to the reaction
between acid rain and the lime binder (i.e. secondary gypsum), and
not to a primary building material (e.g. natural gypsum). The results
of recent research into the properties of historical materials have
shown that primary and secondary gypsum can be distinguished
based on the identification of strontium, which is a characteristic of
primary gypsum, but is not to be found in the secondary crystallisa-
tion products of gypsum. Strontium is an interesting marker which
has already been used to prove the source of gypsum in historical
materials [1], which is why it was also used in this research to con-
firm the source of gypsum as a natural resource for the preparation
of lime-gypsum suspensions.
In modern industrial applications, thermal energy is used to
dehydrate gypsum into -hemihydrate. For this reason a hypothe-
sis was established according to which, during the Baroque period,
lime-gypsum suspensions were prepared by master builders in a
manner which allowed them to take advantage of the exothermic
reaction which takes place during lime slaking, and which also takes
∗
Corresponding author.
E-mail addresses: mateja.golez@zag.si (M. Goleˇ z), zeljko.pogacnik@georudeko.si
(
ˇ
Z. Pogaˇ cnik), ana.mladenovic@zag.si (A. Mladenovi ´ c).
place if a mixture of quicklime and gypsum is slaked. It was taken
into account that, during this period, the building material industry
was not as highly developed as it is today, nor was thermal energy
so easily accessible.
The technology which was used to prepare lime-gypsum sus-
pensions was experimentally simulated in a similar manner to
that used in the Baroque period, which can be concluded from the
results of the investigations of one of the facade walls of the Novo
Celje Baroque Mansion, the latter being one of the most typical such
buildings belonging to this period in Slovenia.
2. Introduction
The Novo Celje Baroque Mansion is an impressive building
which is located in the central part of Slovenia. It was built accord-
ing to instructions given by Maria Theresa, the Austro-Hungarian
Empress, for her Minister, Count Geisruck, between 1756 and 1764
[2]. After having been abandoned for more than two decades,
conservation guidelines for the Mansion’s renovation have been
prepared by the Celje Regional Office of the Institute for the Pro-
tection of the Cultural Heritage of Slovenia (IPCHS), according to
which, after the renovation works are completed, the facade walls
will once again obtain their yellow-ochre Baroque appearance
(Fig. 1).
For this purpose the layers of paint of one of the facade walls
of the Novo Celje Baroque Mansion were analysed in detail. The
https://doi.org/10.1016/j.culher.2018.02.011
1296-2074/© 2018 Elsevier Masson SAS. All rights reserved.