1 The Creative Embodiment of Music – Practice-Based Investigations into Staged and Embodied Interpretations of Instrumental Music Volume II Portfolio of Documented Examples Sara Hubrich May 2014 Supervisors Steve Halfyard and Christopher Dingle The Birmingham Conservatoire — Faculty of Media, Arts and Design, Birmingham City University A Thesis Submitted in Partial Fulfilment of the Requirements of Birmingham City University for the Degree of Doctor of Philosophy