2325 Copyright © 2009, IGI Global, distributing in print or electronic forms without written permission of IGI Global is prohibited. Chapter 5.30 The Work of Art in the Age of Mechanical Production Thomas B. Cavanaugh Embry-Riddle Aeronautical University, USA ABStrAct When Walter Benjamin wrote his famous es- say The Work of Art in the Age of Mechanical Reproduction, he shone a light on the cultural changes inherent in technology’s ability to in- fnitely reproduce and distribute art. One of the important consequences of this development was the democratization of art’s availability, allowing the general population to experience artwork that they would otherwise be unable to access. Now technology has advanced to a point where not only is art’s reproduction available to anyone who wants it, its very production is now accessible to almost everyone, even if the prospective artist is utterly devoid of training, expertise, or even tal- ent. With software-based artistic assistance and low-threshold electronic distribution mechanisms, we have achieved the promise of Benjamin’s blurred distinction between artist and audience. As a result, the process by which art is produced has now been democratized, resulting in legiti- mate questions regarding quality, taste, and the legitimacy of authorship in a human-technological artistic collaboration. IntroductIon When Walter Benjamin wrote his famous es- say The Work of Art in the Age of Mechanical Reproduction, he shone a light on the cultural changes inherent in technology’s ability to in- fnitely reproduce and distribute art. One of the important consequences of this development is the democratization of art’s availability, allowing the general population to experience artwork that they would otherwise be unable to access—art- work that previously was only available to a privileged elite. Now technology has advanced to a point where not only is art’s reproduction available to anyone who wants it, the very production of art is now accessible to almost everyone, even if the prospective artist is utterly devoid of training, expertise, or even talent. This development is symptomatic of a wider self-service mindset that pervades western society, what I have dubbed the “kiosk culture.” The term “kiosk culture” con- notes the general acceptance and even encourage-