Citation: Budwey, Stephanie A. 2022.
Saint Wilgefortis: A Queer Image for
Today. Religions 13: 616. https://
doi.org/10.3390/rel13070616
Academic Editor: Kimberly
Hope Belcher
Received: 31 May 2022
Accepted: 1 July 2022
Published: 4 July 2022
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religions
Article
Saint Wilgefortis: A Queer Image for Today
Stephanie A. Budwey
Homiletics and Liturgics, Vanderbilt University Divinity School, Nashville, TN 37240, USA;
stephanie.a.budwey@vanderbilt.edu
Abstract: An increasing number of people identify outside of the sex/gender binary, many of
whom are in crisis and under attack simply because of how they choose to identify. There are
few opportunities for them to experience healing in liturgies, particularly as these liturgies often
perpetuate a normative view of the sex/gender binary through language and art. This article
offers Saint Wilgefortis as an emancipatory image that offers healing while also transforming ethical
attitudes and behaviors toward those who identify outside of the sex/gender binary. First is an
examination of the history of the cult of Wilgefortis. This is followed by interpretations of the
medieval devotion to Wilgefortis, providing a liberating depiction of someone who blurs boundaries,
who is ‘both and neither,’ who is and is not Christ (human and divine), and who is and is not ‘female’
or ‘male.’ Next is an exploration of contemporary portrayals of Wilgefortis, providing a queer,
multivalent, and prophetic image for today. Finally, there is a discussion of how Wilgefortis could be
incorporated into liturgies that minister especially to those who identify outside of the sex/gender
binary while also expanding the imagination of those who struggle to see sex/gender as a spectrum.
Keywords: Wilgefortis; queer; sex/gender binary; liturgy; art; healing; crisis
1. Introduction
There are an increasing number of people who identify outside of the cisnormative
1
sex/gender binary,
2
identifying as bigender, gender fluid, gender nonconforming, gen-
derqueer, intersex, nonbinary, and transgender, among other identities. Many of these
people face higher levels of violence, economic instability, and health issues—both physical
and mental (Budwey 2023; The Williams Institute at UCLA School of Law 2021). How are
liturgies complicit in perpetuating this normative view of the sex/gender binary? Further-
more, what liturgies of healing are being offered for those who are in crisis because they
are under attack for not ‘fitting’ into the sex/gender binary?
Liturgies, both in their language and art, often reinforce the belief that sexual dimorphism—
a paradigm where “people are seen to be naturally (in a normative sense) unequivocally
and exclusively male or unequivocally and exclusively female” (Jung 2006, p. 293)—is
‘natural’ and ‘God-given’ along with the notion that to be a human being means to be
created clearly ‘female’ or clearly ‘male’
3
in the image of God (Budwey 2023, chp. 4). In
their discussion of “The Normative Power of Images,” Stefanie Knauss and Daria Pezzoli-
Oligati describe how art has been used in the “religious legitimation of gender norms” as
it “communicate[s] and shape[s] normative ideas about and the actual practice of gender
identity, gender roles, and the relationships between different gender categories” (Knauss
and Pezzoli-Oligati 2015, pp. 1–2).
Binary language and art exclude all those who identify outside of this strict binary—to
the point of making people feel like they are monsters and not human (Budwey 2023, chp. 3).
While there are many examples from the Christian tradition—both visual and textual—that
reinforce the sex/gender binary, there are also those that help expand religious imagination
beyond the sex/gender binary (Budwey 2018, 2020, 2023, chps. 4 and 5). These are what
Marjorie Procter-Smith calls emancipatory language and images, those which challenge
Religions 2022, 13, 616. https://doi.org/10.3390/rel13070616 https://www.mdpi.com/journal/religions