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Computer-Aided Architectural Design Research in Asia (CAADRIA), Hong Kong
(RE)THINKING THE BRICK: DIGITAL TECTONIC
MASONRY SYSTEMS
MATIAS IMBERN
Harvard University Graduate School of Design. Cambridge. US.
mimbern@post.harvard.edu
Abstract. The introduction of digital tools in the production of archi-
tecture undoubtedly constitutes the main force behind contemporary
architectural innovation. In addition, the interaction of digital technol-
ogies with analog craft manufacturing -a rather unexplored field of
study- suggests a wide range of novel opportunities. This research fo-
cuses on developing a framework for deploying digital design tech-
niques to the production of bricks under vernacular technology as a
medium of achieving geometrical variations and functional complexi-
ty in domestic-scale projects.
Solid clay bricks are embedded in traditional ceramic-construction
culture. Thus, this investigation faces the challenges of making a fea-
sible innovative system in a country where digital fabrication is not an
economically viable option, and engaging a design that can be easily
implemented with current hand-labour. Consequently, the new bricks
would be massively introduced in the construction market, allowing
novel formal and functional possibilities for designers.
Keywords. Ceramics; brick; tectonic; digital tools; fabrication; ver-
nacular technology.
1. Introduction: Toward digital masonry systems
Today’s explosive growth of digital technology has affected the core of ar-
chitectural design. Certainly, digital tools offer new possibilities that were
inconceivable only a few years ago (Picon, 2010). This research explores the
creation of a new architectural language resulting from the merger of digital
technology and masonry construction in order to reinforce the use of brick as
a contemporary material, especially in developing countries where this raw
material is widely available.