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Princeton/Stanford Working Papers in Classics
The Mole on the Face. Erotic Rhetoric in Ovid’s Amores
Version 1.1
10 2008
Christian Kaesser
Stanford University
Abstract: The paper examines the role of formal rhetoric in Ovid’s Amores. It points out that
while in modern aesthetics the experience of art is dissociated from the experience of love and
sex, the ancients had developed an erotic aesthetics that associated the two. Recalling the
metaphor that describes a text as a body and the ancient view according to which rhetoric could
make a text appealing just like cosmetics could a real body, it argues that Ovid uses formal
rhetoric to inspire in his readers desire for his text. The appearance of voluptas in the epigram to
Amores 1 confirms this view. It also suggests that the eroticization of Ovid’s text resonates within
the contemporary political situation in Rome, where sex had become a matter of politics.
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