Journal of Medieval and Early Modern Studies 41:1, Winter 2011
DOI 10.1215/10829636-2010-013 © 2011 by Duke University Press
a
“A dish fit for the gods”:
Mexica Sacrifice in De Bry ,
Las Casas, and Shakespeare’s
Julius Caesar
Edward M. Test
Boise State University
Boise, Idaho
The true God gives his fesh. Idols demand yours of you.
— Les Murray
For sixteenth-century Europeans, human sacrifce and cannibalism existed
literally (and often literarily) in one place: the Americas. In Shakespeare’s
England, contemporary descriptions, debates, and images of human sac-
rifce came from printed texts about New World explorations, specifcally
those describing the “Venice of the Americas,” Mexico-Tenochtitlan.
1
The
Mexica Empire, frequently compared to ancient Rome, was widely depicted
in accounts by authors such as José de Acosta (Historia natural y moral de las
Indias ), Bartolomé de las Casas (Apologética historia sumaria), and Theodor
De Bry ( America) as a civilization with a penchant for human sacri fce.
2
Whether portraying the Spanish cruelties inficted upon Native Americans,
or the cannibalism and sacrifcial rituals conducted by Amerindians, one of
the common elements in the engravings of Theodor De Bry’s multivolume
America (1590 –1624) is the depiction of corporal violence. Indeed, the human
body takes center stage in the debate over Spanish colonization of the New
World, from juridical justi fcations for conquest and slavery to the legiti-
macy of mass slaughter through a just war. Signifcantly, in De Bry’s Amer-
ica the Protestant Europeans (whose colonial explorations De Bry’s edition
advocates) appear to be free of extreme violence, unlike the Spanish Catholics
and Amerindians. Indeed, the foremost proponent of English colonialism,
Richard Hakluyt, “inspired De Bry to erect a printed monument against
Spanish tyranny.”
3
By limiting severe corporal violence to the Amerindians
and Spanish conquistadors, De Bry creates a visual equation of the “savage”
Indian with the “savage” Catholic, thus elevating Protestants above the fray
of horrifc colonial violence. Likewise, Bartolomé de las Casas’s excoriating
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