ASEAN Journal on Science & Technology for Development Vol 39, No 4, 2022, 242-247 242 DOI 10.5281/zenodo.7030902 © The Author(s) 2022. This article is distributed under a Creative Commons Attribution-ShareAlike 4.0 International license. CREATIVITY OF YOUNG DIRECTORS IN THE ART OF CINEMA, QUESTIONS OF SKILL Melikuziev Ikboljon Mamasadikovich, Doktor of Philоsophy (PhD) Art Sciences, Acting professor of department “Sound direction and cameraman skill” of Uzbekistan State Institute of Arts and Culture E-mail: iqbol.1981.nozxon@gmail.com Abstract: In this scientific article, films created by young creative people currently working in the Uzbek art cinema were analyzed, their achievements and problems were studied, and the necessary suggestions and comments were made. At the same time, the work of leading actors and cameramen is considered on the example of films by young Directors currently working in the Uzbek cinema. The films of young Directors working at public and private film studios were analyzed from the point of view of professionalism. Their specific creative path is revealed. An overview of the current state of youth creativity in the Uzbek art cinema was made, suggestions and comments were made to eliminate existing problems. Keywords: art, cinema, directing, artistry, imagery INTRODUCTION The difference between cinema and other art forms is explained by the fact that it is a mixed (synthesis) art. The director's contribution to the creation of a single work, combining many types of art, is great. The director transforms the actor into a movie protagonist with the help of filmmakers such as screenwriter, cameraman, composer, artist, make-up artist, sound operator, costume, lighting and editing masters. Directing is as complex as it is an interesting profession. Anyone can envy directing, but it’s much harder to get it. To be a director, a person must be well -formed. To do this, the director must have the ability to create acting, organization, observation, and most importantly, innovation. The director’s main weapon is the actor, and his axis is the cameraman. Being able to aim a "loaded weapon" requires a great deal of skill on the part of the director. METHODS Descriptive, classification, historical-comparative, contextual and complex analytical methods were used in the study to cover the topic. He also uses the methodological tools of the humanities - art criticism, psychology, sociology, communication theory, cultural studies. This scientific article uses modern methods of art criticism aimed at theoretical and historical-artistic understanding of the problems under consideration. The method of comparative analysis has been used to study the importance of the script in feature films at different stages of the development of screen art. RESULTS AND DISCUSSION A director who wants to make a new film starts by choosing a script. When choosing a screenplay for a production based on thematic, ideologically sound, artistic and aesthetic generalizations, the director must determine the audience: who, how old the audience wants to make a film. The main task of the director is to choose a script with a perfect artistic basis, to be able to assemble an ensemble of actors in accordance with the nature of the protagonists, to determine the criteria that determine the ideological and artistic value of the film. The director chooses the script based on his ability. In doing so, he takes into account the genre, form of the film, as well as his own worldview. Some directors have the ability to create a unique film in the drama and some in the comedy genre. This criterion must be resolved before the film can be made.