ARTICLE
“Showmance”: Is performing intimacy associated with feelings
of intimacy?
Jennifer Saslove
1
, Aki M. Gormezano
1
, Zach C. Schudson
2
, and Sari M. van Anders
1,3,4
1
Department of Psychology, Queen’s University, Kingston, Ontario, Canada
2
Department of Psychology, California State University, Sacramento, Sacramento, California, United States
3
Department of Gender Studies, Queen’s University, Kingston, Ontario, Canada
4
Centre for Neuroscience Studies, Queen’s University, Kingston, Ontario, Canada
Many actors report, anecdotally, a phenomenon known as a “showmance,” whereby actors develop romantic and/or sexual feel-
ingsforactingpartners,ofenintheprocessofportrayingromanceonstagetogether.Becauseactingpartnersspendsomuchtime
together and may be engaging in several activities that facilitate emotional and physical closeness, it is possible that performing
intimacymayinfuence feelingsofactualintimacy.Inthisstudy,weaimedtounderstandtheassociationbetweenthetypeofonstage
relationshipthatanactorportrayswiththeiractingpartnerandthedegreeofintimacy—specifcallynurturanceanderoticism—that
theyfeeltowardthispartner.Wesurveyedactors(amateurandprofessional)abouttheirpasttheatricalexperiencesperformingwith
aromanticactingpartner( romantic/intimate),anon-romanticbutstillintimatepartner( non-romantic/intimate;e.g.,friendship,
parent-child), and a non-romantic and non-intimate partner ( non-romantic/non-intimate; e.g., strangers, colleagues). We found
that actors reported signifcantly higher levels of nurturance when recalling romantic and non-romantic/intimate onstage roles,
compared to non-romantic/non-intimate roles. We also found that actors reported signifcantly higher levels of eroticism when
recallingromanticonstagerolescomparedtootherroles.Finally,wefoundthatactorsreportedhavingexperiencedasignif cantly
greaterproportionofromantic/sexualfeelingsacrosstheiractingcareerstowardromanticactingpartners,comparedtootheracting
partners.T efndingsofthisstudyprovideabetterunderstandingofthebidirectionalrelationshipbetweenbehaviourandaf ect,as
wellasthepredictorsofintimacy,throughatheatricallens.
KEYWORDS:Acting,intimacy,relationships,romance,theater,theatre
What leads to intimacy? Is it possible to experience actual researchers that as actors aim for authenticity (“bringing the
feelingsofintimacybysimplypretendingtoexperiencethose charactertolife”throughgenuineemotions),thelinesbetween
feelings? A common phenomenon among actors known as a selfandcharactercanblur( Burgoyneetal.,1999; Pace,2020;
“showmance” suggests that portraying intimacy in a perfor- Sina, 2014; Shawyer&Shively,2019).Tisextendstoperfor-
mancecanleadtoincreasedintimacyofstage.Intheatreand mancesofintimacyonstage,whichmaycontributetoroman-
flm,showmancesoccurwhenactorsengageinsexualrelations, ticfeelingsofstage,andinturn,thepresenceofshowmances
date,and/orfallinlovewithoneanother,of enwhenthetwo (Sina,2014; Shawyer&Shively,2019).Showmances,however,
actors portray romantic partners together onstage. Although haveyettobeexploredinpsychologicalresearchonintimacy
extant research is limited, there is consensus among theatre andaf ect.
CORRESPONDENCE concerning this article should be addressed to Sari M. van Anders, Queen’s University, 99 University Avenue, Kingston,
Ontario K7L 3N6, Canada. E-mail: sari.vananders@queensu.ca
NOTE: Jennifer Saslove and Aki M. Gormezano are co-first authors.
FUNDING: This research was undertaken thanks to funding from the Canada 150 Research Chairs program to SMvA and an Ontario Trillium
Scholarship to AMG.
© Sex Information and Education Council of Canada, 2022
The Canadian Journal of Human Sexuality, 31(3), 2022, 329–341 • https://doi.org/10.3138/cjhs.2021-0066 329
https://www.utpjournals.press/doi/pdf/10.3138/cjhs.2021-0066 - Friday, December 09, 2022 10:59:55 AM - Queen's University IP Address:130.15.244.167