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APS 11 (1) pp. 55–60 Intellect Limited 2022
Art & the Public Sphere
Volume 11 Number 1
www.intellectbooks.com 55
© 2022 Intellect Ltd Article. English language. https://doi.org/10.1386/aps_00068_1
Received 29 September 2021; Accepted 5 January 2022
RINA ARYA
University of Huddersfield
Decolonizing art and design:
Rethinking critical and
contextual studies
ABSTRACT
The history of art, more accurately described as the history of western art, has
been premised on a history of cultural imperialism that privileges certain tradi-
tions and ideologies over others. The decline of the discipline within the academy
in recent decades and replacement in many cases with the more critically evalua-
tive and broader area of critical and contextual studies (CCS) has filled a function
in art and design education but needs to be critically interrogated for its rele-
vance and its pedagogical usefulness in thinking about the politicized discourse of
art. Attempts have been made within the academy to decolonize the curriculum.
Within the context of CCS this entails ensuring standardizing the approach to the
subject but not the content, which would be neither desirable nor possible given
the decentralized way in which CCS is staffed. A standardization of approach
means the inculcation of critical reflexivity when considering structures of knowl-
edge, which helps identify gaps in the curricula and ways of addressing these.
Decolonizing is a process that needs to be continuous and reflexive in order to
embed significant change.
There has been much talk since the first decade of the twentieth century
about decolonizing the curriculum within higher education. Its impetus
has been strengthened by the Rhodes Must Fall movement in 2015, at the
University of Cape Town, and more recently by the murder of George Floyd
KEYWORDS
criticality
institutional racism
critical thinking in
art and design
education
visual culture
critical and contextual
studies (CCS)
Black Lives Matter
Black and ethnic
minority attainment
gap